| REZUMAT: |
Beyond literature, there are inner forms of expression and representation in puppet and marionette theatre, where, unlike other theatrical genres, one can find allegory, metaphor, and imaginary in the field of scenic resources. Can puppet shows assume and handle tools of written or uttered text on the stage as means of an inner language? Can we talk about a dramaturgy of puppetry or similar to a puppet – the liminal object between different forms of scenic representations-, the script of a puppet show creates a common ground for cultural archetypes, iconic characters, new media, and experimental space at the same time? |
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